True crime used to be something you watched occasionally. Now it’s basically a personality type.
People don’t “watch a documentary” anymore. They consume seventeen hours of dismemberment while folding towels and calling it self care.
Everyone’s sitting there eating garlic bread while calmly discussing blood spatter patterns like they’re reviewing a renovation show.
“Oh this one’s REALLY good.”
Good? Karen, three people were buried under a patio.
The weirdest part is how cosy they’ve made it all. Soft narration. Rain sounds. Gentle piano music. A woman describing homicide like she’s reading a bedtime story at daycare.
And the audience? Completely feral.
The second a woman goes missing, half the internet transforms into detectives. Suddenly people named Brenda with a crystal collection are zooming into CCTV footage claiming they’ve “noticed something disturbing.”
No, Brenda. That’s a wheelie bin.
And every single case now gets treated like entertainment content. There are fan groups. Rankings. Favourite killers. Merchandise. Actual merchandise. Somewhere along the line society crossed over from “this is tragic” into “season two better drop soon.”
The internet has turned human suffering into background noise.
We don’t process horror anymore. We binge it.
Then we wonder why everybody’s anxious, suspicious and convinced their husband is secretly poisoning them because he made spaghetti without being asked.
Honestly, if aliens arrive tomorrow, take one look at Netflix and leave, I wouldn’t blame them.